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Retail + Clean Beauty + Lifestyle
Lunamira
Bainbridge Island, Washington
Bainbridge Island, Washington
A colorful, exuberant retail environment balancing playful energy with genuine design discipline — and one of the most complete project scopes in the Harmony House portfolio. Lunamira was not a design consultation. It was a full commercial renovation, delivered from empty shell to opening day.
Harmony House led every phase: design, permitting, construction management, custom millwork fabrication, and window installation. The project had a demanding timeline and required tight coordination between trades, permit authorities, and the client's brand vision — delivering a space that feels effortless and joyful precisely because the technical execution behind it was exacting.
The result is a retail environment that functions as a destination in its own right — a place Bainbridge Island residents return to not only to shop, but because of how the space makes them feel. Vibrant without being chaotic. Curated without being precious. Commercially sharp and genuinely beautiful.
The storefront — full-height glazing with applied brand graphics, arched display shelving visible from the street, and a window display designed to draw passersby off the sidewalk and into the space.
Lunamira's founder came to Harmony House with a clear brand vision and a commercial shell. The mandate was straightforward and demanding in equal measure: create a retail environment that communicates the full range of the brand — clean beauty, Japanese furoshiki wrapping tradition, gifts, fragrance, and jewelry — without any of those categories competing for attention.
The design solution was spatial zoning through materiality and color rather than hard partitions. Each zone of the store reads distinctly while sharing a common vocabulary of white millwork, warm oak flooring, and carefully curated lighting that shifts in temperature and intensity across the space.
The storefront itself was treated as a design element, not just an enclosure. Full-height glazing, brand graphics applied to the glass, and a window display program built on the store's custom bubble pedestals create an exterior face that functions as continuous advertising — the store visible and inviting at every hour.
The main retail floor — a white reeded island anchors the center, the furoshiki cubby wall fills the back, large windows open to the Pacific Northwest treeline, and a red Kartell lamp provides a bold focal moment against the white millwork.
Left: The beauty counter — an arched backlit mirror set into the product wall, casting warm shadow patterns across the space. Right: The furoshiki scarf rack — Japanese wrapping cloth in vivid patterns hung from a warm oak display rod.
The arched backlit mirror at the beauty counter is the store's most architecturally refined moment — a form that references the arched display shelving in the storefront window and carries that motif into the interior. Its warm backlighting creates a signature glow that makes the beauty products displayed around it look their best while casting an ambient warmth across the surrounding zone.
The furoshiki display wall — a custom-built grid of white-painted cubby shelving — was designed specifically around the scale and proportion of folded furoshiki. Each square is sized to display one cloth face-out, creating a tapestry of pattern and color that reads as graphic art from across the room and as a curated collection up close.
Japanese furoshiki wrapping tradition informed several moments throughout the store beyond the display wall itself. The folding and wrapping of product, the layering of textile patterns, the idea of a gift transformed by the cloth that contains it — these ideas run through the merchandising program as a connective thread.
Left: The RMS Beauty display — tiered back-illuminated shelving with the checkout wallpaper and red pendant visible beyond. Right: The candle round table — glass dome candles, a warm oak pedestal table, and the red wicker chairs that provide seating moments within the retail floor.
Left: Furoshiki detail — a bold red koi cloth in its cubby, a close-up that shows the graphic quality of the display wall as art. Right: Boy Smells fragrance — sculptural glitter-finish bottles on the beauty shelving, product selection as curation.
Product display — Brooklyn Candle Studio candles alongside playful designer figurines, with the bold colored floor lamps that punctuate the retail floor providing both display lighting and visual energy.
Lunamira represents the full breadth of what Harmony House is capable of — not a design handoff to a separate contractor, but a single point of accountability from initial concept through the day the doors opened. This is what construction fluency looks like in practice.
Lunamira has become one of Bainbridge Island's most distinctive retail destinations — a store that customers return to repeatedly, that earns consistent word-of-mouth referrals, and that photographs beautifully across social channels without any styling intervention.
That outcome is the product of a full-scope engagement executed with complete design-to-construction continuity. When the same team that designed the space also managed its construction, the design intent is protected at every stage — and the result shows exactly what was imagined, not an approximation of it.